All Geertgen Tot Sint Jans 's Paintings

The Painting Names Are Sorted From A to Z
Usually people can find a painting's picture with different colors. We just upload all of them here.
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Choice ID Image  Painting (From A to Z)    Details
59016  
Geertgen depicted the Child Jesus as a light source on his painting The Nativity at Night Geertgen Tot Sint Jans
 
 Geertgen depicted the Child Jesus as a light source on his painting The Nativity at Night   Geertgen depicted the Child Jesus as a light source on his painting The Nativity at Night
59014  
Geertgen painted The Lamentation of Christ for the altarpiece of the monastery of the Knights of Saint John in Haarlem Geertgen Tot Sint Jans
 
 Geertgen painted The Lamentation of Christ for the altarpiece of the monastery of the Knights of Saint John in Haarlem   Geertgen painted The Lamentation of Christ for the altarpiece of the monastery of the Knights of Saint John in Haarlem
59015  
Geertgen painting John the Baptist in the Wilderness Geertgen Tot Sint Jans
 
 Geertgen painting John the Baptist in the Wilderness   Geertgen's painting John the Baptist in the Wilderness
70779  
johannes doparens ben brannes Geertgen Tot Sint Jans
 
 johannes doparens ben brannes   olja pa tra 139x172cm 1659 se
2058  
John the Baptist in the Wilderness Geertgen Tot Sint Jans
 
 John the Baptist in the Wilderness   Staatliche Museen, Berlin
71098  
naissance du christ Geertgen Tot Sint Jans
 
 naissance du christ   mk289 1485 barcelone museu diocesa
88441  
Nativity Geertgen Tot Sint Jans
 
 Nativity   between 1484(1484) and 1490(1490) Medium Oil on oak cyf
32340  
Nativity, at Night Geertgen Tot Sint Jans
 
 Nativity, at Night   1484-90 Oil on oak, 34 x 25 cm
21256  
St John the Baptist in the Widerness (mk08) Geertgen Tot Sint Jans
 
 St John the Baptist in the Widerness (mk08)   c.1485-1490 Oil on wood,42x28cm Berlin,Gemaldegalerie,Staatliche Museen zu Berlin-Preubischer Kulturbeitz
29203  
St.Bavo Geertgen Tot Sint Jans
 
 St.Bavo   mk65 Oil on canvas transferred from panel 14x12"
33438  
St.john the Baptist in the Wilderness Geertgen Tot Sint Jans
 
 St.john the Baptist in the Wilderness   mk86 c.1485-1490 Oil on wood 42x28cm
2059  
The Bones of John the Baptist Geertgen Tot Sint Jans
 
 The Bones of John the Baptist   1475-76 Art History Museum, Vienna
39641  
The fate of the earthly remains of St Fohn the Baptist Geertgen Tot Sint Jans
 
 The fate of the earthly remains of St Fohn the Baptist   mk150 after 1484 Oak 172x139cm
93790  
The Holy Kinship Geertgen Tot Sint Jans
 
 The Holy Kinship   between 1485(1485) and 1495(1495) Medium oil on panel cjr
42848  
The natitity at night Geertgen Tot Sint Jans
 
 The natitity at night   mk170 1480-1490 Oil on oak 34x25.3cm
87263  
The Raising of Lazarus Geertgen Tot Sint Jans
 
 The Raising of Lazarus   1480(1480) Medium Oil and tempera on panel cyf
20045  
The Raising of Lazarus (mk05) Geertgen Tot Sint Jans
 
 The Raising of Lazarus (mk05)   Wood 50 x 38 1/4''(127 x 97 cm)Acquired in 1902
85910  
The resurrection of Lazarus Geertgen Tot Sint Jans
 
 The resurrection of Lazarus   Date c. 1480 (1480-1485) Medium Oil on panel Dimensions 172 x 97 cm (67.7 x 38.2 in) cjr
90056  
The resurrection of Lazarus Geertgen Tot Sint Jans
 
 The resurrection of Lazarus   1480 (1480-1485) Medium Oil on panel Dimensions 172 x 97 cm (67.7 x 38.2 in) cyf
62445  
Virgin and Child Geertgen Tot Sint Jans
 
 Virgin and Child   26,8 x 20,5 cm Museum Boijmans Van Beuningen, Rotterdam This small painting of the Madonna depicts a fragile female figure holding her newborn together with a vanquished dragon. The artist indicates her floating, vision-like quality with the use of fantastic lighting and an army of angels in concentric circles. By arranging the choir of angels in a manner reminiscent of spheres, it is also expressed that the infant Jesus in the centre of the picture is the ruler of the Universe. With a sweeping gesture and a look of concentration, the infant is shaking two bells, as if to be in concert with the angel doing the same thing on the left side of the picture. They are definitely looking at each other, and since they are the only two doing this, the action has special significance: it shows the "conductor" Jesus in the role of the universe's prime mover. Thus the painting clearly expresses a concept formulated by St Thomas Aquinas, according to which Jesus created the harmony of the spheres. In Geertgen's painting the three attributes of Mary (glory, sadness and joy) are represented by angels encircling the Madonna in three rings. The inner circle contains six-winged cherubs and seraphs. The angels of the second circle hold above the head of Mary the early Christian symbols of glorification, scrolls with the word "Sanctus" appearing on them three times. The rest bear the objects associated with the Passion: the cross, the crown of thorns, a spear, nails, a hammer, and a column. The outside circle presents a multitude of musical angels, symbolizing heavenly happiness. Here we can see nearly all of the instruments of the period: lutes, violas, double recorders, trumpets, drums, bells, horns, bagpipes, hurdy-gurdies, etc. The larger keyboard instruments are located in the corners; on the organ we can see the hand-operated bellows. Obviously, the painter did not intend to reproduce the image of a real orchestra, that is why he included instruments which were never used together

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